Epoxy Resin Art
Original epoxy resin artworks — resin wall art at Starck Gallery. Works where poured resin creates a glossy 3D effect and striking depth: each epoxy resin artwork is signed, unique or part of a numbered edition, delivered with a certificate of authenticity. Pours, pigments and plays of transparency compose vibrant surfaces, from living-room formats to very large XXL formats, shipped across Europe from our 880 m² gallery in Elche (Alicante).
The art of epoxy resin
Epoxy resin is an art of matter: poured in successive layers onto the canvas, it sets colour into a transparent depth and gives a glossy 3D effect, almost liquid, that catches the light and transforms with the viewing angle. Close to abstract art, epoxy is often combined with mixed media — pigments, metallic leaf, reliefs — to enrich the surface. Find these pieces among our paintings and discover all our works of art.
A certified original work
Each epoxy resin artwork is an original piece, signed by the artist's own hand, unique or issued in a numbered limited edition and delivered with its certificate of authenticity. At the gallery you can watch the light play on the resin before buying; we frame to measure in our in-house workshop and ship by tracked, insured delivery across Europe, in reinforced packaging that protects the glossy surface and the frame.
The art of epoxy resin at Starck Gallery
Epoxy resin painting is a contemporary technique that has transformed the relationship to matter: the resin, poured in transparent, pigmented layers, sets into a surface of deep, almost liquid gloss. The result is a 3D effect where light seems to circulate inside the painting, with plays of transparency, mother-of-pearl and relief impossible to obtain with paint alone.
At Starck Gallery (880 m² in Elche, Costa Blanca), our epoxy resin artworks are original works, signed and unique or issued in a numbered edition. Our artists often combine resin with acrylic and mixed media, from living-room formats to very large XXL formats. Each piece leaves with its certificate of authenticity and travels by tracked delivery across Europe.
Frequently asked questions
What is an epoxy resin painting?
An epoxy resin painting is a work in which the artist pours a liquid, transparent and pigmented resin onto a rigid support or a canvas. As it hardens, the resin forms a smooth and very glossy surface of great depth, which traps the colour as if under a layer of glass. It is a contemporary resin art, often abstract, prized for its effects of transparency, its pours and its luminous rendering that changes with the viewing angle and the lighting of the room.
How is an epoxy work made (depth effect, gloss)?
The artist works in layers. He prepares the resin, tints it with pigments, inks or metallic powders, then pours and guides it over the support to create pours, cells and gradients. Each layer must harden before the next: it is this layering that gives the 3D effect and the sensation of depth. The final, perfectly transparent layer brings the characteristic mirror gloss. A long and meticulous work that makes each epoxy resin painting truly unique.
How do you care for an epoxy resin painting?
Epoxy is robust but its glossy surface shows marks. Simply dust it with a soft cloth, dry or slightly damp, without abrasive product or solvent. Avoid prolonged exposure to direct sunlight, which can eventually yellow the resin, and strong heat sources. Directional lighting highlights the depth and reflections of the work. Well cared for, an epoxy resin painting keeps its gloss and brilliance for very many years.
Are these epoxy works certified originals, delivered across Europe?
Yes. Every epoxy resin painting at the gallery is an original work, made and signed by the artist's own hand, unique or issued in a numbered limited edition, supplied with a certificate of authenticity that guarantees its origin. We frame to measure in our workshop and ship by tracked, insured delivery across Europe, in reinforced packaging that protects the glossy surface. Collection possible at the Elche gallery.
