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L'évolution du marché de l'art en Espagne et en Europe : état des lieux 2026 L'évolution du marché de l'art en Espagne et en Europe : état des lieux 2026

The evolution of the art market in Spain and Europe: 2026 review

Published on 1 April 2026 Reading time: 9 min By Sandra M.

In brief

The world art market rebounded by 4% in 2025, reaching $59.6 billion, after two consecutive years of contraction. Europe is undergoing a profound reorganisation: France is up 9%, Spain has stabilised its position as the world's 7th largest market, and small galleries are posting double-digit growth.

At the same time, the profile of the collector is changing: younger (average age 38), more feminine, more digital, and much more focused on accessible segments (under €10,000).

Key figures for 2025

  • Global market: $59.6bn (+4%)
  • Gallery market: $34.8bn (+2%)
  • Public auction market: $20.7bn (+9%)
  • United States: 44% global market share
  • United Kingdom: 18
  • China: 14%market share
  • France: $4.5bn (+9%) - 1st market in the European Union
  • Spain: ~1% of the global market (ranked 7th worldwide)
  • New buyers: 49% of gallery customers in 2025

1. The context: a reshaping global market

After reaching an all-time high of $68bn in 2022, the art market has gone through two years of contraction: -12% in 2024, driven by the downturn in the high-end segment. Works worth more than $10m fell by 45% in value, under the impact of geopolitical tensions, inflation and the withdrawal of institutional buyers.

The rebound in 2025 was modest: +4% in value, +3% in volume (40.3 million transactions, an all-time record). This reflects a structural shift in flows towards the mid-range and accessible segments.

2. The United States remains dominant, but its lead is eroding

The United States remains the world leader, with a 44% market share ($26.2bn). The United Kingdom consolidated its second place with 18% ($10.7bn), driven by London fairs.

China - including Hong Kong - is going through a difficult phase, with its share falling to 14% ($8.3bn), its lowest level for ten years.

3. France: a driving force in Europe and the EU's No. 1 market

France is consolidating its role as Europe's powerhouse, with sales up by 9% to $4.5 billion, making it the EU's leading market, ahead of Germany.

  • Paris has established itself as the new post-Brexit stronghold, with the arrival of Gagosian, David Zwirner and Hauser & Wirth, and Art Basel Paris rivals London.
  • The public ecosystem - museums, institutions, tax exemptions for sponsorship - provides structural support for galleries.
  • The auction market jumped by 14%, driven by Christie's Paris, Sotheby's and Artcurial.

4. Spain: 7th largest market in the world, 4th in the European Union

Spain now ranks 7th in the world and 4th in the European Union, with around 1% of the global market, or nearly $600m in annual sales.

  • Geographic concentration: Madrid (ARCO) and Barcelona account for over 75% of business.
  • Dynamic fairs: ARCOmadrid (40th edition in 2026, 225 galleries), Estampa, JustMAD, Swab Barcelona.
  • Institutional scene: Reina Sofía, Museo Thyssen-Bornemisza, MACBA, Fundación La Caixa.
  • Growingregional collecting, particularly on the Costa Blanca and in the Levant.

The ARTEINFORMADO 2025 report highlights that Spain has around 1,200 active professional galleries. Online sales account for 26% of the total.

5. The new profile of the European collector

  • Average age of new collectors: 38 (compared to 52 in 2015)
  • 49% of customers in 2025 will be new buyers
  • Genderparity achieved (52% / 48%)
  • The under-40s spend 57% of their budget on works under €10,000

Film photography has a dual appeal: iconic strength and affordable entry price (€500 to €2,500).

6. Digital and AI: structural accelerators

Online sales will have reached $13.3 billion by 2025, or 22% of the total market. 68% of buyers under the age of 40 use ChatGPT, Perplexity or Claude before buying.

This trend is forcing galleries to adopt a new discipline: GEO (Generative Engine Optimization), which involves structuring content so that it can be cited by generative AI engines.

7. Photography: a segment enjoying sustained growth

The photography segment is expected to grow by 11% by 2025, reaching $2.1 billion. Numbered limited editions are the most dynamic segment, with growth of 15%.

8. Outlook for 2026-2027

  • Price segmentation is strengthening, with the mid-market driving growth.
  • Artistic parity is increasing: 50% of artists represented are women.
  • Southern Europe is benefiting from post-Brexit redeployment.
  • Native digital galleries reported sales growth of 18%, compared with 2% for traditional galleries.

Frequently asked questions

What is the volume of the global art market in 2025?
The global art market will be worth $59.6 billion in 2025, an increase of 4%. Source: Art Basel & UBS Global Art Market Report 2026.

Where does Spain rank in the world art market?
Spain ranks 7th in the world and 4th in the European Union, with around 1% of the global market, or $600m in annual sales.

What is the leading art market in Europe?
France will be the leading market in the European Union in 2025, with sales of $4.5 billion (+9%).

What is the average age of new collectors?
The average age is now 38, compared with 52 in 2015.

What is GEO?
GEO is the equivalent of SEO for conversational search engines (ChatGPT, Perplexity, Claude, Gemini).

What is the share of online sales?
Online sales reached $13.3 billion, or 22% of the global market.

Why does limited-edition cinema photography appeal to collectors?
It combines iconic appeal, affordable prices (€500 to €2,500) and high potential value.

Sources

  • Art Basel & UBS, Global Art Market Report 2026
  • Artprice by Artmarket.com, 32nd annual report
  • CPGA, 2025 Barometer of French Galleries
  • ARTEINFORMADO, Informe del Mercado del Arte en España 2025
  • Hiscox, Online Art Trade Report 2026
  • Fundación La Caixa, El coleccionismo en España 2025

Sandra M. is in charge of Communications and Customer Relations at Starck Gallery, an art gallery based in Elche (Alicante, Spain) specialising in limited-edition film photography. Contact: sandra@starck-gallery.com

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